Name the album: Popscene, Sunday Sunday, For Tomorrow?

Questions

- A musical composition (originating around 1600) consisting of an extended setting of a religious or epic text for chorus, soloists and orchestra for performance in a church or concert hall, although originally oratorios involved scenery, costumes and action. An example is Handel's Messiah of 1742.?

- A large body of instrumentalists which has developed historically. The first orchestras were variable, but by the baroque period they consisted of strings, oboes and bassoons with other solo instruments. Standardisation took place in the classical period when the orchestra was divided into four sections: strings, woodwind (two flutes, two oboes, two bassoons and clarinets), brass (two horns and two trumpets) and percussion consisting of two kettledrums. The orchestra was greatly expanded in the 19th century to include the harp and other percussion. Some 20th century composers began writing for smaller ensembles (perhaps mainly because of economics).?

- (1) The art of writing for an orchestra, band, etc., involving great knowledge of tone colours, range of instruments, technical capacities and combinations of instruments, etc. (2) The scoring of a work, originally intended for another medium, for an orchestra.?

- A medieval type of part-writing based on plainsong and harmonised by either one, two or three parallel parts.?

- Also called graccs or embellishments, these are notes considered to be an extra embellishment of a melody which are either added spontaneously by the performer or indicated by the composer on the score by signs or notation. In the 17th and 18th centuries, omaments were mostly indicated by signs and they included the trill, mordent, turn, arpeggio and appoggiatura. Composers wrote out ornaments in full in later periods.?